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《Drifting》is a third-person shooter-action game. The combat system revolves around air-to-ground, air-to-air shooting and traversing. Each encounter in the game challenges the player to develop a situational awareness in 3D space, which includes constantly prioritizing your target whilst observing the surroundings to find out the key to advance to the next stage.

Post news Report RSS 《Drifting》 Character Ambient Occlusion

UE4 post-process AO can generate undesired effects on a skeletal mesh, to overcome the problem, I remedy it by tweaking the bias value of the post process volume combines with some manipulation on the character's material AO channel, thus, eliminating the undesired noises whilst preserving the finer detail of the character model.

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Hello everyone!

In this week's update, I like to share the things I've learned using UE4 post-process ambient occlusion feature and how I set up my character material AO channel. I will start by describing the problem I encountered while tweaking post-process AO; the solution I came up with and its side effects; some comparison images under different post-process and material AO setups; finally, the result of my character shading.

My game relies heavily on post-process AO to generate detail shadow for all of the actors in the scene, the effect works well in most cases especially for static mesh, however, when it comes to skeletal mesh the outcome of the AO effect seems rough and somewhat ugly.

post-process AO bias value comparison
(the default AO bias setting generates too much noise around the chest area of the skeletal mesh, giving it an unpleasant look; after adjusting the bias parameter, noises are eliminated but so are the finer details)


There is a bias parameter in the post-process AO settings, which allows me to control the amount of AO on a flat surface. A bias value of 20 can eliminate the artifact at the cost of losing detail shadow on the mesh. I've then tried various setup combinations under a bias value of 3 and 20, but sadly, the result either looks dark and gritty or smooth and bland. To achieve a smooth and detailed outcome by tweaking post-process AO alone seems like an impossible challenge.

post-process AO bias parameter

(I've tried various combinations of AO intensity, radius, quality under a bias value of 3 and 20,
the results are either too dirty or too bland, striking a balance seems impossible
)


After some contemplation, I found out the problem with this approach is that without an AO map, the engine tries to calculate AO base on vertex information, which alone, cannot accurately represent the finer detail of the model. I then generated an AO map and plugged it into the material's AO channel, under a bias value of 20 the previously vanished details are back, however, due to the high value of bias, areas that are supposed to have a strong AO effect - because of its geometry structure - are now less visible.

AO map comparison

(with a bias value of 20, AO map bring back the detail of the character, however,
the areas around her spinal cord where AO should be most prominent is less visible
)


To bring back vertex information, I decided to fake it by calculating the dot product of the camera vector and vertex normal, multiply the dot value with the AO map and plugged the output to the AO channel. The idea is to let areas that aren't facing the camera directly to have a lower value, thus, stronger AO effect.

material AO stup
(the resulting AO will be most prominent on faces that aren't facing directly to the camera - usually at the edge or the sunken/contracting area of the geometry)


03 04 merge
(noticed with fake shadow, the AO around her spinal cord reappear under bias value 20; in addition, I've found out the fake shadow also vividly simulate the property of a stocking material around her thigh, which is a welcoming surprise :P)


Finally, here is an animated image to better showcase the final result of my character AO set up. With a high bias value combined with some manipulation of material AO channel, I think I've done a good job eliminating the artifacts from post-process AO whilst preserving the finer detail of the character model.

AO map plus fake shadow demo
(this is the result of my AO set up, noises are eliminated and details are preserved)


If you enjoy reading this article, feel free to leave a comment and share your thought on this subject!

Have a great weekend! :3

Comments
L3d
L3d

Indeed love all the strings :P

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rit2040 Author
rit2040

Hi L3d,

Thank you for your comment~

I'm not sure I understand what you mean by all the strings, but I'm glad you love something about my article!

Thank you again for your interest! :D

Reply Good karma+1 vote
rit2040 Author
rit2040

Hi again L3d~

Do you mean all the things? XD

I figured that out an hour ago after I post my reply.

Anyways, have a relaxing and wonderful weekend as always! :)

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Zorro_de_la_noche
Zorro_de_la_noche

This looks amazing.

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rit2040 Author
rit2040

I'm glad you're interested in the article.

It took me quite some time to figure out a way to deal with the artifact from post-process volume AO.

I figured it will be a good idea to document the process of how I solve the issue for future reference.

Thank you for your comment and have a good day! :D

Reply Good karma+1 vote
Zukomazi
Zukomazi

Looks fantastic!

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rit2040 Author
rit2040

Hi bullettimestudiosoff,

Thank you for your good words :)

The game has a bullet-time feature that is showcased in this video: Indiedb.com

I hope you could enjoy the video as well.

Thank you again for your comment and have a wonderful weekend! :3

Reply Good karma+1 vote
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Unreal Engine 4
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