Creating the main R2G theme was a very important and sensitive task due to all the requirements and expectations. After some initial talent search, we decided to work with Paweł Błaszczak, an award-winning composer credited for the soundtracks of such games as Dead Island, Call of Juarez, and the Witcher. We knew Paweł would not let us down, as he already created some great music for us when we were working on the puzzle game Ancient Quest of Saqqarah back in 2007 in the Codeminion days. In fact, Paweł will be doing most, if not all, of the music for R2G.
We always knew that we wanted a strong theme for R2G. We needed something catchy and adventurous since each of the games in the series will be an adventure of its own.
Basing on our descriptions and provided references, Paweł mocked up several motives for us to choose. This is the one we selected (please be aware that this is a very early draft of the theme):
As you can hear, at this point it sounded very simple and crude, but it had exactly what we were looking for – the right mood and a simple, catchy melody that you just can’t get out of your head once you hear it a few times. Fast forward quite a few iterations of arrangement, sequencing and sampling magic, and this is what we arrived at – a rich, strong theme, we are very happy with:
Now, normally this is the end of the road. For virtually all indie teams, and even for most AAA games, orchestral music can only be rendered on a computer using virtual instruments. It sounds good enough (especially when done right) and perfectly fits the tight budgets. Recording a live orchestra is normally a domain of Hollywood movie productions and the biggest game blockbusters, something a small indie team can only dream about. And that’s a shame because music performed by a live orchestra sounds much more… well, alive :)
When we started working on the R2G theme, we never planned that it could be performed by a live orchestra...
...but then we stumbled upon the 99 Dollar Orchestra Kickstarter campaign.
So basically, you pay a 100 bucks, and get a 7 minute professional recording of a live orchestra playing your music. As you can probably guess, we were instantly sold on the idea. We really didn’t know what to expect, but we wanted to try it out. The consensus among our team was that it would either sound like crap, or it might be good enough to layer it over the sampled version to give it a more real feel. We never expected it to be so good that it would replace the excellent virtual rendition prepared by Paweł. After all, come on… $99 for live orchestra recording?!
So how did it go? Did it sound like crap? Did we end up using it in the game? Read on to find out!
Let me start with a few words of caution about some caveats we quickly run into. First, the 99 Dollar Orchestra is fairly small. It’s 30 instruments compared to 70-100 instruments in a big symphonic orchestra. Second, you need an orchestral score (sheet music with notes) for your music, something we didn’t have as the theme was never intended to be played by a real orchestra. Last, but certainly not least, you must know that you are purchasing session recording time. This time not only includes the orchestra actually playing, but also the musicians practicing, and the conductor giving instructions to the musicians. The people who will be playing your music will be seeing the score for the first time and most probably, especially if the piece is difficult like in our case, they won’t get it right the first time… or the second time… You get the idea.
Having learned about all those problems we could turn the idea down, but we’ve already made our minds and we wanted very much to see what could come out of it. The orchestra size was never an issue for us, as we would be layering the recordings over the sampled version. The 99 Dollar Orchestra didn’t have a harp, choir, or epic drums, so some parts would have to stay sampled. The last two problems got sorted out after we talked to André Miranda, head of the Kickstarter project. He recommended that we purchase at least 20 minutes of recording time so that the orchestra has enough time to practice (we wanted to record two parts – a 90-second theme and 45-second intro). He also told us that they can create the necessary transcription for an additional fee. At this point we were really hooked on the idea and excited to hear our score performed live so we ended paying more that we initially intended, $400 in total. Then we waited for the campaign to end and recording sessions to begin.
The day came, and we all sat in front of the computer, watching the stream of the orchestra playing our R2G theme. It sounded...
...nothing like we expected. This is what it looked like on the first try:
And this is how we looked like listening to it:
Yes, it sounded awful and yes, we were very disappointed. When we heard the first try we immediately thought that there was no way we could use any of this in our game. Fortunately, it turned out that we were wrong! Having bought more session time, the orchestra was able to practice the most difficult parts in slow tempo and eventually recorded 5 full takes of the main theme. Also, the sound quality in the final delivered recording was much better than what was streamed live from Andres laptop. Here is the best take, with some minor digital corrections and post-processing:
As you can hear it sounds nowhere as bad as the first try. There are still some intonation problems and the balance between instruments is very different from the sampled original, but at least this was something we could work with. For comparison, here are the exact same parts played by virtual instruments:
The sampled version sounds much better, the sections are bigger, and the performance is flawless. But this perfection makes it sound less alive and less convincing than the real orchestra. If only we could get the best of the both words. This is where layering comes in. With a bit of mixing magic, we were able to tempo match the two pieces and layer the real orchestra over the sampled version. Here is a mix of the two orchestras:
We hope that you agree that the end result turned out quite well. The real orchestra layered on top of the sampled version is subtle yet very effective in making the theme sound more authentic and expressive. In fact, up till when we put everything together we didn’t suspect that it would work that well. Below is the final mix, including both orchestras – sampled and live recorded – together with all the percussive instruments and sound effects. By the way this is the first in game footage we are releasing – it shows the main Archive of Awesome chamber which acts as a launcher for all the games in the series. So maybe not so much in game footage as in launcher footage ;-)
We think that everything turned out fine. The experience recording the orchestra was fun and enlightening and we don’t regret investing our time and money into taking this extra step in the making of the theme. But if you ask me if I would recommend recording orchestral music this way for an indie team, this would be a tough call. You can’t expect a flawless rendition of your music, unless you are willing to pay a lot, and you will have to dedicate extra time to mix and prepare everything. Some pieces will work better than others. Nevertheless, if you really need live orchestra for your project, this is the only option that we know about that fits an indie budget.
This post originally appeared on our blog.