Festival of Magic is an original adventure role-playing game in which the players must fight and farm their way to glory. Join Amon, a desert scavenger and his reluctant companion Gnart, as they unravel the ancient mysteries of Umbra - a world divided by light and magic. The game combines turn-based combat and farming gameplay with exploration and puzzle-packed quests. Grow spuds, tend barnacles and use your harvest as powerful ammunition and spells; load your weapons, team up your companions and get ready for an epic adventure.
The character was designed with a design follows function mind set. We figured he'd have to have a bulky upper body, tree trunk arms and small legs, seeing as how he doesn't use them a whole lot. This guy is also the first NPC designed and made in 3D for Project FoM! We're pretty happy with him!
Posted by Hanska on Aug 2nd, 2012
The character was designed with a design follows function mind set. He works in the Crystal Excavation Site where his only function is to mine crystals and unearth the statue hidden in the huge stalactite discovered during the work.
We figured he'd have to have a bulky upper body, tree trunk arms and small legs, seeing as how he doesn't use them a whole lot.
This guy is also the first NPC designed and made in 3D for Project FoM! We're pretty happy with him!
When doing characters like this, I always start in Zbrush. (High poly 3D sculpting package) I take a good look at the concept art, and try to visualize the model in my head. I go forth and block out the big shapes, concentrating on the silhouette first and foremost. After I got the basic shapes down, I start going into detail. I get to do all the little wrinkles and folds in the cloth, and the cool bulky anatomy. This isn't a hyper detailed character though, so I tend to spend a lot of my time just scaling, repositioning and tweaking proportions. Cause it's the silhouette and the proportions that make out the character.
High Poly Sculpt
After the sculpture is done, it's time to make this bad boy into game res. I use Topogun for the retopology. Basically what retopology means is that I use the High poly as reference, and "draw" on top of it to create the new, lower res geometry. When the low res is finnished, I go into Maya to lay out the UVs. The UVs are esentially a 2D plane of the 3D geometry that is used for texture painting. When the low res model has uvs - It's time to bake. Not cakes, but high res geometry and light! That's right. I use a program called xnormal. What it basically does is it projects the high res detail onto the low res model. Using the Uvs as a canvas. That's how the normal map and the ambient occlusion map is created. I use these maps when painting color onto the charater. The Ambient occlusion gives a pretty subtle shadow that only eccentuates the details in the model. And this seems to work pretty well together with real time lighting. So the character has ambient occlusion baked into the texture map, and a normal map that simulates lightning and detail information as another map. Making the model looking more detailed than it really is.
You'll be seeing more of this guy when he gets his tools and is ready to move!